A weekly review of the best new music from the staff of The Hartford Courant. Your hosts are Eric R. Danton, Courant Rock Critic, and Stephen Busemeyer, a Courant editor and CD reviewer. Guest commentary is brought to you by Eric Gershon, a Courant business reporter who has written about music for the Boston Phoenix and other publications; Babe Zero, a former Courant photo editor; Elizabeth Zuhl, a graphic designer at The Courant, and Regine Labossiere, a writer at The Courant who has unprintable accents in her name.
Clear Heart Full Eyes is the first solo effort from the Hold Steady's singer and lyricist Craig Finn. Is it an exercise in egoism? Is it a true depart...
Voyageur, the latest from Kathleen Edwards, shows the influence of a new producer (think Bon Iver). But how does this record stack up against her earl...
Drop everything. This is the most kickass album you've heard all year. "Is That You In The Blue?" is the second record for the brother-sister duo, and...
The eponymous second full-length release from Wisconsin-based Justin Vernon, performing as Bon Iver, is a departure for the critically acclaimed rocke...
New Brigade is the first album from Iceage, a bunch of Danish kids from, surprisingly, Denmark. Is it punk? Some of us think so. Some of us, not so mu...
Amanda Shires, a Texas singer-songwriter with a flair for fiddle and ukulele, has us generally all a-swoon over Carrying Lightning, her most recent re...
Helplessness Blues, the second full-length record from Fleet Foxes, is a smart and challenging blend of folk and pop, old and new. Whether you love it...
Nine Types Of Light, the latest from Brooklyn's TV On The Radio, is a mix of beats, hooks and surprising emotional depth and complexity -- or so we wo...
Civilian, the third effort from Baltimore duo Wye Oak, has us divided, and animated. It's a unique sound, to be sure -- not quite folk or rock but ......