The press copy describes Factory Summers as Guy Delisle’s “most personal book.” It’s a strange phrase for a cartoonist whose work often tends toward t...

Fictional Father begins with an apology of a kind — or, at very least, an acknowledgement. Told as a self-effacing autobiographical strip, the preface...

2017’s What I Found in a Thousand Towns finds Dar Williams tackling urban studies. It’s new territory for the singer-songwriter, but one that builds o...

“We are the apes that are starting to understand the universe and our place in it,” José González says in a statement released ahead of his latest alb...

This month, Numero Group issued I Shall Wear a Crown, an expansive five-LP set that explores the life and work of T. L. Barrett, a Chicago-based Pasto...

The success of Azure Ray’s self-titled debut seemingly took everyone by surprise — not least the band itself. Following the breakup of their group Lit...

Every time I speak to Mary Roach, I invariably get hung up on some minor detail — some story or person she’s teased out to unlock a fascinating new wo...

For 20 years, Ben Snakepit has been building a magnum opus. Day in, day out, the musician-turned-cartoonist draws another daily strip recounting a sce...

It’s been a big couple of years for Shirley Manson — not something every artist can say, as a global pandemic stretches into its second year. Nor, is ...

More than 30 years after Trots and Bonnie ended its decades-long run in National Lampoon, the strip finally gets a worthy collection. Shary Flenniken ...