Approaches to Human Voice in Electro-Acoustic CompositionJune 3, 2013Trevor Wishart 2012 © IMWI/ComputerStudio HfM KarlsruheListen/Show notes
Innovation Within Tradition: a Case Study of Composer and Performer CreativityMay 29, 2013Tom Armstrong, University of Surrey, UK 2012 © IMWI/ComputerStudio HfM KarlsruheListen/Show notes
Regarding Local Identity, Authenticity and Artistic Research in Jazz: A Case Study MeaningMay 28, 2013Michael Kahr, University of Music and Performing Arts, Graz, Austria 2012 © IMWI/ComputerStudio HfM KarlsruheListen/Show notes
Sound-Colours in Theory and Practice: Decoding Messiaen the SynaestheteMay 28, 2013Cheong Wai Ling, Chinese University of Hong Kong 2012 © IMWI/ComputerStudio HfM KarlsruheListen/Show notes
Software Development as a Means to Music CompositionMay 28, 2013Clarence Barlow, University of California, Santa Barbara, USA 2012 © IMWI/ComputerStudio HfM KarlsruheListen/Show notes
Timbre Spatialisation: The Medium is the SpaceMay 28, 2013Robert Normandeau, University of Montréal, Canada 2012 © IMWI/ComputerStudio HfM KarlsruheListen/Show notes
‘Noise’ as Musical Material: ‘Scambi’May 28, 2013John Dack, Middlesex University, UK 2012 © IMWI/ComputerStudio HfM KarlsruheListen/Show notes