The Non-Objectifying Voyeurism in John Sloan’s "The Cot"

Share:

Art Histories

Miscellaneous


UC Davis art history graduate student Alexandra Rea-Baum offers a new view on American artist John Sloan through the analysis of his non-objectifying gaze seen in "The Cot," a painting included in the Ash Can's exhibit at the MacBeth Gallery, NYC, in 1907.