True Crime
? Wspieraj kanał: https://patronite.pl/zaburzeniafikcji ? Kontakt: zaburzeniafikcji@gmail.com ? Instagram: https://www.instagram.com/zaburzeniafikcji/ ? Facebook: https://www.facebook.com/groups/2788409557889255/ Źródła wybrane: Adaptacje Baśni, w tym: Gabrielle-Suzanne de Villeneuve z 1740 roku oraz Jeanne-Marie LePrince de Beaumont z 1756 roku. https://bit.ly/35JuuzT https://bit.ly/2ZQDek1 https://bit.ly/35OJH2C https://bit.ly/3ktNO8u https://bit.ly/3iLtRtd https://bit.ly/3caysm9 https://bit.ly/305uuGX https://bit.ly/2Hd4DWR https://bit.ly/2RC4wpR https://bit.ly/2EcuSvk https://bit.ly/35LCFvo https://bit.ly/2H9wfvT https://bit.ly/3cbn1uL https://bit.ly/2H7maQ1 https://bit.ly/2RCWbCb https://bit.ly/2RDAGkB https://bit.ly/3iIOS7U https://bit.ly/3hF4SX7 https://bit.ly/2RCFKWn https://bit.ly/32IDdQV https://bit.ly/3iVBNZb https://bbc.in/3hLg0BM https://bit.ly/3kxYJ0V https://wb.md/35LpgU7 https://bit.ly/3kxYOlf Touba Ghadessi, Portraits of Human Monsters in the Renaissance: Dwarves, Hirsutes, and Castrati as Idealized Anatomical Anomalies, 2018 r.Andreas Hamburger, Women and Images of Men in Cinema: Gender Construction in La Belle et la Bête by Jean Cocteau, 2018.Ben Beaumont-Thomas, Phil Hoad (autorzy wywiadu), How we made Beauty and the Beast, theguardian.com