Business
Adam Croft is an Indie author and a counterpoint to anyone who says you can’t make a living through Indie publishing. He’s sold more than 1.5 million books and once bumped J.K. Rowling off the USA Today bestseller list. His ‘Knight and Culverhouse’ thrillers have sold more than 250,000 copies worldwide, and his Kempston Hardwick mysteries have been adapted as audio dramas starring some of the biggest names in British TV. He’s also published several books in his Indie Author Mindset series, a great tool for Indie authors. In this episode we discuss the following: Professionalism as an Indie Business & Creative hats Kindle v’s Wide Bookbub, FB & Amazon Ads Vellum & formatting Pre-orders, discounting and other stategies Thinking longterm Never giving up Levelling up & aiming higher Launch Strategies Branding & Marketing Keywords, tags an keeping your website up to date and more… You can find out more about Croft and his books here. And don’t forget, if you haven’t subscribed to Author Success Magazine, you can check it out here. Read Full Transcript Mel Adam Croft is an Indie author and a counterpoint to anyone who says you can’t make a living through Indie publishing. He’s sold more than 1.5 million books and once bumped J.K. Rowling off the USA Today bestseller list. His ‘Knight and Culverhouse’ thrillers have sold more than 250,000 copies worldwide, and his Kempston Hardwick mysteries have been adapted as audio dramas starring some of the biggest names in British TV. He’s also published several books in his Indie Author Mindset series, a great tool for Indie authors. Adam, tell us about your success. Adam I think you covered it pretty succinctly there! I’ve been doing this for ten years now. It’s interesting that, as you say, people think you can’t make a living Indie publishing, when all the data points to the fact that, on the whole, Indie publishers sell more books and earn more money than traditionally published authors. Research last year showed that the average traditionally published author makes about A$16,000 a year. That’s remarkably low, and that’s for an author with a long sought-after publishing contract from one of the big houses! The misconception that Indie publishing is a fallback option is completely false. I turn down up to half a dozen publishing contracts a year – just by looking at them, I can see that they’re not going to earn...